Do You Feel Music?
Published by Aakarsh under on Monday, March 19, 2007Of the many genres of music i listen to, everyday, i relate myself the most to Indian Music. Ofcourse, i might again include few other non-Indian genres too, which have invariably crept into indian music, thanks to great blending ideas of great composers here. But the beauty of Indian music is that, the tunes evoke certain feelings. and composers use their mastery by trapping varied emotions in a single raaga. the notes are same, for the raaga. only the presentation varies...and then, the perception of the listener changes. The mood and the feeling eneveloped in the tune changes completely. When i say 'feeling', how can one identify it with a tune? 'Pain' is one of the many emotions one experiences and how can one transform it into music (without words). For a moment, if we keep aside the genius of a composer, who can evoke such a feeling through a composition, the question i would like to focus on is - "how can someone perceive pain, by listening to a tune?". How is it that a certain slant/piece in "Subha Panthuvaraali" raaga, for example, conveys pain and the same raaga also conveys exuberance! Though the composer does his part, by covering both hues in the same raaga, the listener can distinguish and experience both feelings, even though he is not musically literate. How?
3 comments:
so true you are.... I too wonder why?????
Thats the best part...just like you dont have to know how an Internal Combustion Engine works to drive a car... so intuitive!
The best part abt Indian music is that it touches unknown depths of heart.. and then you realise that you existed at that depth all the time and it took this piece to discover urself!
It is this sabda brahma that will ultimately human kind to reach that anaahata nishabda brahma that is also called as 'aadi naada'.
koncham ekkuvaindemo... kaani topic e atlaantidi.. saary!
how.. aa how?? hahaha...
it is a two-phase process... requires both a subject and an object. The object looks the same (the same raga) but its presentation by carefully removing the non-mood-oriented phrases gives it that color to a subject (us). Possibly it is like zen, it relates us to the possibility of THE ONE which is contained and yet which contains.
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